When I was last in this part of Wales in 2018, I visited a place I’d longed to see since I was a little kid: “The Village” from the 1960’s series “The Prisoner.” I had seen the show as a child, and it made a big impression; I’ve watched the complete series several times, repeated on TV and more recently on video and DVD.Â
A few years before 2018, I’d become a little obsessed with Snowdonia in N. Wales (after seeing some photographs online), and it turned out I had a friend who grew up there. He informed me that Portmeirion Village was nearby. When I later started planning my trip, and decided to stay in Llwyngwril, I had forgotten this important fact, but it *just so happened* Portmeirion is an hour north by train and a mile’s walk. I was thrilled to bits and got a ticket as soon as they went on sale that year. And I did exactly the same this year!

Harlech village is on the way to Minffordd, the train stop for Portmeirion Village. There is a major castle ruin there, and I spent a day in 2018 (but not this year). I did snap this photo of a brutalist building, Theatre Ardudwy, viewed from the train window. I wish I’d looked it up before THIS VERY MOMENT. I’m not sure it was open when I was there, but it would have been worth a look! It pairs nicely with that other major brutalist building, Harlech Castle!





I encourage you to embiggen many of the photos below, just to see the detail throughout the architecture and design of the village. The attention to small things is just astounding. Sr. Clough Williams-Ellis worked on this much-loved project for 50 years! It was always intended as a resort for guests, but it’s so much more. The skilled labor he employed to build it, and the high quality of that skill and materials used, makes it the opposite of a folly (although it was a bit of a vanity project). While there was nothing “new” to see this visit, there were new things to notice. It’s an extraordinary place.











Patrick McGoohan, creator and star of “The Prisoner,” had been to Portmeirion Village to film an episode of his series “Dangerman.” When he set off to create “The Prisoner,” he returned to Portmeirion as the location of the The Village, where retired spies are forced to live in isolation from all but each other, under a weird authoritarian hierarchy. As Williams-Ellis said, “Portmeirion itself seemed, to me at least, to steal the show from its human cast.” I’m not sure that’s true, as the series itself was culturally revolutionary — but it IS what remains. When I went in 2018, I was the only person on the Prisoner tour, and I’m not sure they are still offering it. I’d love to see a new generation of folks appreciate the show.



















































17 May, 2022
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